“_ happens here.” is the New York Stock Exchange’s advertising campaign for 2024. The art director was tasked with creating a fresh look and feel while adhering to the NYSE brand guidelines. “_ happens here.” is a calibration between various IPO companies and the Exchange. This campaign has been displayed in Grand Central Station, the NYSE, Times Square, the NYC Subway, Yankee Stadium and more.
Marketing Director
Kate Lasier
Art Director
Caroline Corbitt
Senior Designer
Martin Holloway
Graphic Designers
Jennifer Scott
Arlene Riley
Photographers
Courtney Crow
Allie Joseph
Copy Writer
Giant Spoon
Video Director
Ross Baldisserotto
Social Media
Lauren Diorio
From the moment of their unveiling at the Smithsonian’s National Portrait Gallery in February 2018, the museum’s official portraits of President Barack Obama and Mrs. Michelle Obama have become iconic. Kehinde Wiley’s portrait of President Obama and Amy Sherald’s portrait of the former First Lady have inspired unprecedented responses from the public.
This five-city tour will travel the country from June 2021 through May 2022 and is expected to reach millions of people who might not otherwise have an opportunity to view these remarkable paintings. In addition to the artworks themselves, The Obama Portraits Tour will feature audio-visual elements, Portrait Gallery-led teacher workshops, curatorial presentations, and a richly illustrated book (National Portrait Gallery and Princeton University Press). This special presentation will enhance the conversations surrounding the power of portraiture and its potential to engage communities.
Tour locations included:
Art Institute of Chicago
Brooklyn Museum
Los Angeles County Museum of Art
High Museum of Art
The Museum of Fine Arts, Houston
Graphic Designer: Caroline Corbitt
Head of Interpretation: Julia Forbes
Chief Preparator: Robert Howells
Head of Exhibitions: Skye Olson
Curator: Micheal Rooks
Editor: Emma Simmons
Director of Exhibitions: Amy Simon
Graphics Technician: Awot Solomon
The artist designed all elements within this exhibition. These elements are include but not limited to: entryway graphics, credit lines, artist’s bios, large quotes, process vinyls, and infographics.
Is love intrinsic, or is it a habit? What is the difference between love and friendship? What is the relationship of love to truth, freedom, and justice? These are just some of the questions to be explored in What Is Left Unspoken, Love, a thirty-year survey of contemporary art featuring artworks that address the different ways the most important thing in life—love—is expressed.
Organized during a time of social and political discord, when cynicism often seems to triumph over hope, this exhibition will examine love as a profound subject of critical commentary from time immemorial yet with a persistently elusive definition. As poet and painter Etel Adnan wrote, love is “not to be described, it is to be lived.”
What Is left Unspoken will feature nearly seventy works, including paintings, sculpture, photography, video and media art, by more than thirty-five international artists based in North America, Europe, and Asia.
This exhibition was organized by the High Museum of Art, Atlanta.
Graphic Designer: Caroline Corbitt
Head of Interpretation: Julia Forbes
Chief Preparator: Robert Howells
Head of Exhibitions: Skye Olson
Curator: Micheal Rooks
Editor: Emma Simmons
Director of Exhibitions: Amy Simon
Graphics Technician: Awot Solomon
Generated both desktop and mobile mockups for Coca-Cola Direct website layout via Figma.
Designed Coke Direct site banners, landing page icons, and category headers for both desktop and mobile.
View the Coke Direct website.
New York Stock Exchange
100th Annual Tree Lighting
November 30, 2023
We sipped some hot cocoa, sent notes to Santa, and enjoyed the sounds of the season as The New York Stock Exchange hosted featured artists, organizations and listed companies at the 100th annual lighting of the NYSE Christmas Tree.
Performances and activities were open to the public; refreshments were also served.
Thank you to our participating companies and organizations: Bombas, Build-A-Bear, Campbell Soup Company, Delmonico’s, Duckhorn, Dunkin’, Fiserv, Life Time, Lovevery, Mastercard, Mr. and Mrs. Met, Madison Square Garden, Murray’s Cheese, NotCo, Planters, Playa Bowls, Quick Fit Bites, Salvation Army, Six Flags, Snowflake, Solo Stove, Teradata, The Cupcake Carriage, The Home Depot, and Toys for Tots.
Click here to watch the event!
Design by:
Caroline Corbitt
Animation by:
Alex Kirby
Nikolas Lurken
Video by:
Ross Baldisserotto
Events by:
Dana Lang
Dulaney Hassan
Bianca Cavacini
Printing and Production by:
Roseann Aellis
Ian Wolff
Poster, t-shirt, and social media designs for the 15th Annual AJC Decatur Book Festival presented by Emory University September 4, 2020 - October 4, 2020.
Learn more about the festival HERE.
Marketing designs for Atlanta Fine Homes Sotheby’s International Realty. These deliverables included but were not limited to: catalogs, e-blasts, logos, newspaper ads, flyers, social media posts, brochures, and postcards for various agents.
Atlanta Fine Homes Sotheby’s International Realty was founded in 2007. The collaboration between realty and auction utilizes a combination of unique and exclusive marketing efforts that provide targeted exposure to a coveted and influential audience. Their partnership with this premier brand affirms their commitment toward providing a superior level of service, marketing and expertise in Atlanta, and around the world.
Since his groundbreaking solo show at the High Museum of Art in 2012, acclaimed artist KAWS has taken the world by storm with major exhibitions across the United States, Europe, Australia, Asia, and the Middle East. Meanwhile, his monumental sculptural installations, augmented reality sculpture, design collaborations, toys, editioned objects, and related works have seized the attention of a massive and diverse audience. Drawing exclusively from the High’s collection, KAWS PRINTS features all of the artist’s editioned silkscreen prints in the Museum’s collection along with a selection of drawings, color charts, and rare early prints from the artist’s studio.
This exhibition was organized by the High Museum of Art, Atlanta.
Graphic Designer: Caroline Corbitt
Head of Interpretation: Julia Forbes
Chief Preparator: Robert Howells
Head of Exhibitions: Skye Olson
Curator: Micheal Rooks
Editor: Emma Simmons
Director of Exhibitions: Amy Simon
Graphics Technician: Awot Solomon
Various logos commissioned by several organizations at Emory University designed by the artist.
lo·go
/ˈlōɡō/
noun
a symbol or other design adopted by an organization to identify its products, uniform, vehicles, etc.
Digital Advertising is a form of marketing and advertising that uses the Internet to promote products and services to audiences and platform users. The artist has created many ad campaigns for websites like CNBC.com, Forbes.com, and more.
View the Framing Shadows site.
Technology:
WordPress
Features:
Responsive Design
Preserved curatorial text
Downloadable lesson plans for teachers
Integration with the museum's DAMS database
Captions and image .pdfs for accessibility
Social media links
SEO
A four part poster series, by the artist, consisting of lectures by Ira Glass titled The Art of Storytelling.
n 1996, the High began commissioning photographers from across the world to engage with and explore the American South’s rich social and geographic landscape for its Picturing the South initiative. To date, the Museum has commissioned sixteen artists and has built a collection of more than three hundred photographs as part of the program, which include some of the most iconic photography projects of the last quarter century.
To mark the twenty-fifth anniversary of Picturing the South, the High will mount a major exhibition that brings together all the commissions for the first time. Taken as a whole, the photographs amount to a complex and layered archive of the region that addresses broad themes, from the legacy of slavery and racial justice to the social implications of the evolving landscape and the distinct and diverse character of the region’s people.
Works on view will include the first photographs in Sally Mann’s Motherland series; Dawoud Bey’s over-life-size portraits of Atlanta high school students; Richard Misrach’s Cancer Alley industrial landscapes; along with previous commissions by Alex Webb, Emmet Gowin, Alec Soth, Martin Parr, Kael Alford, Shane Lavalette, Abelardo Morell, Debbie Fleming Caffery, Alex Harris, and Mark Steinmetz; and new commissions by An-My Lê, Sheila Pree Bright, and Jim Goldberg, which will debut in the exhibition.
This exhibition was organized by the High Museum of Art, Atlanta.
Graphic Designer: Caroline Corbitt
Head of Interpretation: Julia Forbes
Curator: Gregory Harris
Chief Preparator: Robert Howells
Head of Exhibitions: Skye Olson
Editor: Emma Simmons
Director of Exhibitions: Amy Simon
Graphics Technician: Awot Solomon
The New York Stock Exchange is an American stock exchange in the Financial District of Lower Manhattan in New York City. It is by far the world's largest stock exchange by market capitalization of its listed companies at US$30.1 trillion as of February 2018.
Video Credits
Production Director: Ross Baldisserotto
Illustrator: Caroline Corbitt
Animation Designer: Alex Kirby
Motion Designer: Nikolas Lurken
post·er
/ˈpōstər/
noun
noun: poster; plural noun: posters
a large printed picture used for decoration.
The artist was commissioned to illustrate four cocktails selected for a birthday party and create a poster, menu and drink reveal cards for social media promotion.
Generated using Adobe Illustrator
film
/film/
noun
noun: film; plural noun: films
a motion picture; a movie.
Come Ruin or Rapture
by Le Vaughn Belle
September 19 - December 8, 2024
Come Ruin or Rapture, opening in the Carlos Museum’s John Howett Works on Paper Gallery on September 19, includes work from two of Belle’s series, Storm (in the time of spatial and temporal collapse) and Storm (how to imagine the tropicalia as monumental) where she uses materials from her studio that were exposed to Hurricane Maria in 2017. These repurposed materials take on new forms and express the resilience of people of African descent in the U.S. Virgin Islands in the face of both natural disasters and colonial powers. The exhibition will be on view through December 8.
Learn more about the exhibit.
Fabricator: Ryan Beresch
Designer: Caroline Corbitt
Curator: Dr. Clinton Fluker
Museum Director: Elizabeth Horner
Marketing Manager: Emily Knight
Originally created as an online exhibit, a limited edition run of 500 perfect bound books were designed and printed in honor of collector Randall K. Burkett for the Stuart A. Rose Manuscript, Archives, and Rare Book Library.
8.5 X 11, 92 Pages + 4 Page Cover
COVER - prints 4cp + 1.4mil soft-touch laminate front/4cp + spot matte varnish inside front cover on 100# Sterling Silk
TEXT - Prints: 4/4 on 100# Sterling Silk
Logo design, mock-ups, and style guide for Your Way: Moving & Storage Solutions located in Valdosta, GA.
Print and digital media designs for the Hargrett Rare Book and Manuscript Library’s exhibits and social media platforms located in Athens, Georgia.
View the Our Archives Could Be Your Life site.
Technology:
WordPress
Features:
Responsive Design
Preserved curatorial text
Integration with the museum's DAMS database
Captions and image .pdfs for accessibility
Social media links
SEO
This series was an experiment with letters and forms. The artist was inspired to find objects that looked like letters in her environment and eventually created images that reflected them. The letter Y stood out most to her, and the idea that an eyelash-curler looks like this character led her to create these photos.
View the From the Archives site.
Technology:
WordPress
Features:
Responsive Design
Preserved curatorial text
Integration with the museum's DAMS database
Captions and image .pdfs for accessibility
Social media links
SEO
Though not precious or unique, the poster is the ultimate design object—it disseminates ideas and images that reflect a time and place. As an object of design history, the poster can comment on social or cultural shifts, but it is probably best known for its most prominent role—selling commercial products.
This exhibition surveys the origins of modern poster design featuring works from the collection of Merrill C. Berman, who focused on twentieth-century radical art. Berman’s collection represents a complex history of modernism, as avant-garde artists actively produced fine and applied art for commercial and political aims. Starting in the early 1900s, these designers revolutionized typography and the graphic image, creating poster designs that changed artistic perspectives, as well as the hearts and minds of people.
The works on view demonstrate the origins of modern graphic design, as practiced in Europe, and how the medium could be marshaled into service for social change.
This exhibition was organized by the High Museum of Art, Atlanta.
Graphic Designer: Caroline Corbitt
Head of Interpretation: Julia Forbes
Chief Preparator: Robert Howells
Curator: Monica Obniski
Head of Exhibitions: Skye Olson
Editor: Emma Simmons
Director of Exhibitions: Amy Simon
Graphics Technician: Awot Solomon
“Black Cosmopolitan,” an exhibit highlighting both James Weldon Johnson Collections from the Rose and Beinecke Libraries, was on display in the Stuart A. Rose Manuscript, Archives, and Rare Book Library at Emory University from June 14, 2019 - December 13, 2019.
Pictured are branding guides, print files, case layouts, a 3D mock-up, and final image documentation of this exhibit. An interactive gallery table was also made for the touch screen centered in the exhibit, click HERE to view.
Curator: Kali-Ahset Amen
Head of Research Services: Courtney Chartier
Designer: Caroline Corbitt
Head of Digitalization Services: Kyle Fenton
Exhibitions Manager: Kathy Dixson
Fabricator: John Klingler
Exhibition Photographer: Paige Knight
Coordinator in Conservation: Julie Newton
IT: Chase Lovellette
“Framing Shadows,” which displays portraits of “nannies” from the Robert Langmuir African American Collections housed in the Rose Library, is currently on display at the Oxford Library in Oxford, GA. The exhibit was previously displayed at Emory University’s Woodruff Library in Atlanta, GA from Feb. 18, 2019 - Jan. 5, 2020.
Pictured here are images of the exhibit on view at the Woodruff Library, an interview with the curator, a mock-up of the corridor, and print designs by the artist.
Since the impact of COVID-19, the artist has produced an online version of the exhibit for accessibility purposes viewable HERE.
Video Producer: Steve Bransford
Head of Research Services: Courtney Chartier
Designer: Caroline Corbitt
Head of Digitalization Services: Kyle Fenton
Exhibitions Manager: Kathy Dixson
Fabricator: John Klingler
Exhibition Photographer: Paige Knight
Coordinator in Conservation: Julie Newton
Curator: Dr. Kimberly Wallace-Sanders PhD
A zine based on the many variations of the word "charge".
A zine (/ˈziːn/ zeen) is short for magazine or fanzine and is a small-circulation, self-published work of original or appropriated texts and images.
In 2019 the Michael C. Carlos Museum celebrates its centennial, marking the museum's opening at Emory's new Atlanta campus.
The origins of the museum date to the late 19th century when objects collected from disparate sources made their way to Emory College in Oxford, Georgia. These sources included Emory faculty conducting research and Methodist missionaries living and working abroad. Active collecting efforts supported international research by Emory scholars and brought the outside world to Emory students. This exhibition explores origins, collections, people, and future directions of the museum. Ultimately, to delve into the history of Emory’s museum is to uncover the ways in which it consistently acts as a catalyst for teaching, research, exploration, collaboration, and collecting.
Exhibited at the Lamar Dodd School of Art and installed by the artist herself, this 5 part poster series by the artist highlights women associated with Athens, GA.
Artist’s Statement:
The accomplishments of women are often unrecognized. Each of these five women made significant contributions to the Athens, GA community. I share the stories of these women in hopes that they will inspire others as much as they have inspired me.
In 1925, photographer André Kertész (American, born Hungary, 1894–1985) arrived in Paris with little more than a camera and meager savings. Over the next three years, the young artist carved out a photographic practice that allowed him to move among the realms of amateur and professional, photojournalist and avant-garde artist, diarist and documentarian. By the end of 1928, he had achieved widespread recognition, emerging as a major figure in modern art photography alongside such figures as Man Ray and Berenice Abbott.
Postcards from Paris is the first exhibition to bring together Kertész’s rare carte postale prints. These now-iconic works offer new insight into his early, experimental years and reveal the importance of Paris as a vibrant meeting ground for international artists, who drew inspiration from each other to create new, modern ways of seeing and representing the world.
This exhibition was organized by the High Museum of Art, Atlanta.
Graphic Designer: Caroline Corbitt
Head of Interpretation: Julia Forbes
Chief Preparator: Robert Howells
Curator: Gregory Harris
Assistant Curator: Maria L. Kelly
Head of Exhibitions: Skye Olson
Editor: Emma Simmons
Director of Exhibitions: Amy Simon
Graphics Technician: Awot Solomon
GIF
/ɡif,jif/
noun COMPUTING
noun: GIF
the Graphics Interchange Format (better known by its acronym GIF, JIF, or GHIF) is an image file format that is animated by combining several other images or frames into a single file.
During the last fifteen years of her life, Nellie Mae Rowe (1900–1982) lived on Paces Ferry Road, a major thoroughfare in Vinings, Georgia, and welcomed visitors to her “Playhouse,” which she decorated with found-object installations, handmade dolls, chewing-gum sculptures, and hundreds of drawings.
Based on the High’s leading collection of Rowe’s art, Really Free is the first major exhibition of her work in more than twenty years and the first to consider her practice as a radical act of self-expression and liberation in the post-civil rights-era South. Rowe created her first works as a child in rural Fayetteville, Georgia, but only found the time and space to reclaim her artistic practice in the late 1960s, following the deaths of her second husband and her longtime employer.
The exhibition offers an unprecedented view of how she cultivated her drawing practice late in life, starting with colorful and at times simple sketches on found materials and moving toward her most celebrated, highly complex compositions on paper. Through photographs and reconstructions of her Playhouse created for an experimental documentary on her life, the exhibition is also the first to put her drawings in direct conversation with her art environment.
This exhibition is organized by the High Museum of Art, Atlanta.
Graphic Designer: Caroline Corbitt
Head of Interpretation: Julia Forbes
Chief Preparator: Robert Howells
Curator: Katherine Jentleson
Head of Exhibitions: Skye Olson
Editor: Emma Simmons
Director of Exhibitions: Amy Simon
Graphics Technician: Awot Solomon
Entryway designs for the Robert W. Woodruff Library located at Emory University in Atlanta, GA.
These graphics were created to enhance the overall look and feel of the library while also promoting a welcoming and unifying message of diversity, equity, and inclusion. The designer was tasked with creating a “Welcome Wall” and “Donor Wall” seen here.
Images supplied by Emory Photo/Video
*This project has been placed on hold due to COVID-19 complications and is scheduled to resume Fall 2021 .
Nearly one hundred years ago, artists without formal training “crashed the gates” of the elite art world, as the newspapers of their day put it. Their paintings of American life, as well as fantastical scenes derived from their imaginations, began appearing in major museums. Featuring more than sixty works from leading collections across the country, Gatecrashers will illuminate how artists including John Kane, Horace Pippin, and Anna Mary Robertson “Grandma” Moses overcame class-, race-, and gender-based obstacles to enter the inner sanctums of the mainstream art world. These early “gatecrashers” defied life circumstances that limited their access to art training and, thus, redefined who could be an artist in America.
This exhibition was organized by the High Museum of Art, Atlanta.
Graphic Designer: Caroline Corbitt
Head of Interpretation: Julia Forbes
Chief Preparator: Robert Howells
Curator: Katherine Jentleson
Head of Exhibitions: Skye Olson
Editor: Emma Simmons
Director of Exhibitions: Amy Simon
Graphics Technician: Awot Solomon
Created with etched copper-plate printed on marbled paper (outside) and black BFK paper (inside), this one of a kind book was hand crafted and bound by the artist. Its purpose, to assist its “reader” in understanding the shapes of the twelve signs of the zodiac.
When held up to any light, the black paper resembles the night sky and the un-natural light shining through mimics the natural glow of the stars.
film
/film/
noun
noun: film; plural noun: films
a thin flexible strip of plastic or other material coated with light-sensitive emulsion for exposure in a camera, used to produce photographs or motion pictures.
paint·ing
/ˈpān(t)iNG/
noun
noun: painting
the process or art of using paint, in a picture, as a protective coating, or as decoration.
/ˈprintˌmākiNG/
noun
the activity or occupation of making pictures or designs by printing them from specially prepared plates or blocks.
sketch
/skeCH/
noun
noun: sketch; plural noun: sketches
a rough or unfinished drawing or painting, often made to assist in making a more finished picture.
